The Italian translator Marta Graziani has translated Beatriz’s “NEFERTITI & BEEP”. The Italian translation has been published by Dragomanni Teatro and it is available on Streetlib (.ePub), at the Kindle Store (.Mobi & .AZW) and on the best online libraries. (more…)
I am very excited to be working as a Dramaturg in ORBITS, a collaborative and multi-disciplinary dance project resulting in an innovative online platform for audience co-creation and a series of cross-platform performances.
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Click here to go to THE THEATRE TIMES.
The publishing house Ediciones Antígona released a volume in their theatre collection including “NEFERTITI & PIII” by Beatriz Cabur. The book was available for the Spanish National book fair in May. (more…)
On October 8th, 2015, there was a staged reading of Beatriz’s latest play to date, “NEFERTITI & PIII” at the Sala Berlanga in Madrid. (more…)
This nice interview by Laeticia Rovecchio from Anagnorisis (Theatrical Research Magazine) explores my career, my theatrical company NITEcorp, the world theatre news site we created, NITEnews (now THE THEATRE TIMES) and why do I do what I do.
Thank you, Laeticia, for the opportunity.
Spanish Artists New York in co-production with IATI Theatre present “Ronensbourgh” by Beatriz Cabur. Dates: May 21, 2015 – June 7, 2015. Location: IATI Theater: 64 East 4th Street, NYC 10003 (more…)
On March 27th, 2015, at the Kubik Theatre in Madrid, there was a staged presentation of the Spanish Edition of 365 Women A Year introducing works by Beatriz Cabur, Inmaculada Alvear, Margarita Reiz, Yolanda Dorado, Inge Martín, Vanesa Sotelo, Denise Despeyroux and Diana Cristóbal (more…)
It is such an honor to have been invited to participate in the Literary Managers and Dramaturgs of the Americas 2014 Conference. On June 28th, I will be talking at the LMDA Conference 2014 in Boston.
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The festival presents new plays, in English translations, that have not been read or staged in Finland, and engage international theatre professionals that live and work in Finland.
European Theatre Collective was founded in 2007 and is based in Helsinki. The members of etc. are either immigrants or Finnish artists, who have studied and worked abroad for extended periods. The etc. utilises the members’ background in all its functions. In the past six years, the focus has shifted from international performances to developing opportunities for multicultural artists engagement.
https://www.theatrecollective.com/read
On June 23rd, 2014 there will be a presentation of my play RONENSBOURGH produced by AENY at the IATI theater in New York. (more…)
The lecture will go from the general ideas to the particular practice in ten specific cases.
After the talk, there will be a presentation live of “The Chef”, written and directed by Beatriz Cabur and performed by Héctor Toledo. The Chef is play written with the idea of Telepresence as a core part of its dramaturgical structure. For more information about “The Chef” please click here.
You can find more information about this event at the Salamanca University Website.
Thank you very much to the organization for offering me the opportunity to lecture in Salamanca.
In 2014, Beatriz Cabur and Doug Howe, partnered with AENY to present the Staged Reading Series. The first three plays were the winners of the 2014 Spanish-language Eurodram Playwriting Award. They are: “The Art of Interviewing” by Juan Mayorga, “Ushuaia” by Alberto Conejero and “Ventaquemada” by Paco Bezerra.
In partnership with the National Theatre (CDN) in Spain, Beatriz, Doug, and AENY also selected “Click Here” by Jose Padilla to be presented in the series. “Click Here” is part of the ‘Written on the Stage’ program developed by the National Theatre (CDN). It premiered at the Princesa Theatre at the Maria Guerrero on December 4th, 2013. The play was directed by Jose Padilla starring Pablo Bejar, Mamen Camacho, Gustavo Galindo, Nerea Moreno and Ana Vayón.
This was an ongoing partnership between AENY, Beatriz and Doug that kept helping promote Spanish Contemporary Playwriting in New York. Every year AENY produces the Staged Readings including the three Spanish Eurodram winners while Beatriz and Doug collaborate producing and promoting the events and playwrights.
The overarching focus of these gatherings is the art of translation. Delving into the nature of translation is one of the on-going goals for The Fence. The noted literary theorist Gayatri Chakravorty Spivak points out, “Translation is a necessary impossibility,” and the group will investigate this paradox by engaging in both in-depth dialogue and hands-on exploration.
Hosted by the Eugene O’Neill Theater Center in Waterford, CT, the first leg is intended as a retreat, where members can share experiences, explore issues related to theatre translation, and begin the process of developing scripts for translation. The second part of the week will be hosted by the Lark Play Development Center, where we will engage and interact with New York-based colleagues interested in international new work and translation.
Student artists from Romania, France, Spain and America came together to devise original stage pieces created using a democratic system (as opposed to the more traditional top-down approached from producer/director to actors and technicians).
I am pleased to share with you that I am now in Austria directing CARTHAGE, a play by Caridad Svich.
I am working here with an incredible team composed by Signdance Collective, the Dead Days Beyond Help, Lila Transmitter and HenryH.
A first approach to CARTHAGE will be performed on September 13th 2013 at 4 pm in GRAZ, & September 14th 2013 at 4 pm in THE CASTLE of LIGIST.
THE PLANE is a theatre play specifically written to be performed through telepresence combining six different screens. There are five different teams of Actors and/or Stage Managers located in New York, London, Madrid, Barcelona and Milan from which we will stream both live and recorded video of different scenes of the play but from the audience’s point of view it will look like they are all passengers in the same flight.
INTERTEATRO by Beatriz Cabur: A Sure-Bet for the Present.
A Paper by Paola Bellomi.
As stated by its director, “The objective of INTERTEATRO is the promotion of contemporary Spanish playwriting and the promotion of Spanish theatrical culture. […] INTERTEATRO is theatre created through Internet”. From these premises, she will analyze the case of this “work in progress” by Beatriz Cabur, which raises some very timely questions about the meaning of the term “theatre” and on the interaction between technology, digital culture and stage performance. Through the study of the INTERTEATRO experience at the Cervantes Institute in Milan (21/02-07/03/2013), she’ll try to highlight the achievements and failures of a way of thinking and doing theatre that leaves the real space of the stage to arrive, passing through the liquid wall of the network, to a place that is “other” both geographically and conceptually.
